Historical Dance Bibliography

Gregorio Lambranzi

Nuova e curiosa scuola de balli theatrali. Neue und curieuse theatralische Tantz-Schul

Italian

lambranzi_1716

January 25, 2014

italian.bib:0471

Multivolume book

1716

Giovanni Giorgio Puschner

Norimberga

2

• https://data.onb.ac.at/rec/AC10897670
• https://data.onb.ac.at/rec/AC10897678
• https://bdh.bne.es/bnesearch/detalle/bdh0000058601

Multiple copies of Lambranzi's book are known to exist, each binding is different from another. Österreichische Nationalbibliotek copy contains the following dances (page numbers are given in parenthesis). First part: Entre (1) — Sarabande (2) — Folie d'Espagne (3) — Paysanne (4) — Bouree (5) — Riguadon (6) — La disamecitia (7) — Contradineta (8) — Paesani (9) — Rogial (10) — Rogial (11) — Bourre (12) — Romagniola (13) — Romagniola (14) — Rescue (15) — Nouelle Fantastiche (16) — Satyro (17) — Batti piedi (18) — Aristeo (19–20) — Ruberto (21) — Corente (22) — Scaramuzza (23) — Lours (24) — Gran Alesandro (25) — Scharamuza (26) — Scharamuza e donna (27–28) — Chicona (29) — Chicona (30) — Chicona (31) — Rigaudon (32) — Riguadon (33) — Scapin (34) — Scapin (35) — Mezetin (36) — Mezetin (37) — El mado (38) — Mato (39) — Gobba e Stropio (40) — Puricinella e Simona (41) — Meo di Barba Nicolo (42) — Bolongnesa (43) — Bolognesa (44) — Narcisin (45) — Narcisin (46) — Fenochio (47) — Fenochio (48) — Rigaudon (49) — Galiarda (50) — Menuet (51). Second part: Vidali (1) — Adolzor (2) — Dime desü (3–4) — Polesana (5) — Schiauona (6) — Suizero (7) — Pastor Francese (8) — Gartiniera (9) — Genio (10) — Genio (11) — Statue (12–17) — Cogi (18–19) — Trion de Bacho (20–21) — Galiarde (22–23) — Architeto (24) — Fabri (25) — Boteri (26) — Salorini (27–28) — Bergamasco (29–30) — Rigadon (31) — Gelosia rosa (32) — Copenhager (33–34) - Salt in Muro (35–36) — Zurlo bacho (37) — Animarca (38) — Turco con Tampurino (39–40) — Desegnie Euria (41) — Scotin (42–48) — Cicona (49) — Micarma (50). BNE copy seems to be incomplete and bound in completely wrong order (probably during some restauration process). It contains the following dances (page numbers are given in parenthesis, pages 2–4, 7, 45–48 of the first part, and 4–28, 45–47 are missing in BNE copy). First part: Vidali (1) — Polesana (5) — Schiauona (6) — Pastor Francese (8) — Gartiniera (9) — Genio (10) — Genio (11) — Statue (12–17) — Cogi (18–19) — Trion de Bacho (20–21) — Galiarde (22–23) — Architeto (24) — Gran Alesandro (25) — Scharamuza (26) — Scharamuze e donna (27–28) — Chicona (29) — Chicona (30) — Chicona (31) — Rigaudon (32) — Riguadon (33) — Scapin (34) — Scapin (35) — Mezetin (36) — Mezetin (37) — El Mado (38) — Mato (39) — Gobba e Stropio (40) — Desegnie Euria (41) — Scotin (42–44) — Riguadon (49) — Galiarda (50). Second part: Adolzor (2) — Dime desü (3) — Bergamasco (29–30) — Rigadon (31) — Gelosia rosa (32) — Copenhager (33–34) - Salt in Muro (35–36) — Zurlo bacho (37) — Animarca (38) — Turco con Tampurino (39–40) — Puricinella e Simona (41) — Meo di Barba Nicolo (42) — Bolongnesa (43) — Bolognesa (44) — Cicona (49) — Micarma (50) — Menuet (51). British Library copy (Facsimile available in paper copy) contains the same order of plates, as ÖNB copy does, but Menuet (51) is bound to the second volume, not to the first