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Author (real name):
Title:
Nuova e curiosa scuola de balli theatrali. Neue und curieuse theatralische Tantz-Schul
Language:
Italian
Id:
Added to database:
January 25, 2014
Source:
italian.bib:0493
Entry type:
Multivolume book
Date of publication:
1716
Publisher:
Giovanni Giorgio Puschner
Place of publication:
Norimberga
Number of volumes:
2
URL:
Note:
Multiple copies of Lambranzi's book are known to exist, each binding is different from another. Österreichische Nationalbibliotek copy contains the following dances (page numbers are given in parenthesis). First part: Entre (1) — Sarabande (2) — Folie d'Espagne (3) — Paysanne (4) — Bouree (5) — Riguadon (6) — La disamecitia (7) — Contradineta (8) — Paesani (9) — Rogial (10) — Rogial (11) — Bourre (12) — Romagniola (13) — Romagniola (14) — Rescue (15) — Nouelle Fantastiche (16) — Satyro (17) — Batti piedi (18) — Aristeo (19–20) — Ruberto (21) — Corente (22) — Scaramuzza (23) — Lours (24) — Gran Alesandro (25) — Scharamuza (26) — Scharamuza e donna (27–28) — Chicona (29) — Chicona (30) — Chicona (31) — Rigaudon (32) — Riguadon (33) — Scapin (34) — Scapin (35) — Mezetin (36) — Mezetin (37) — El mado (38) — Mato (39) — Gobba e Stropio (40) — Puricinella e Simona (41) — Meo di Barba Nicolo (42) — Bolongnesa (43) — Bolognesa (44) — Narcisin (45) — Narcisin (46) — Fenochio (47) — Fenochio (48) — Rigaudon (49) — Galiarda (50) — Menuet (51). Second part: Vidali (1) — Adolzor (2) — Dime desü (3–4) — Polesana (5) — Schiauona (6) — Suizero (7) — Pastor Francese (8) — Gartiniera (9) — Genio (10) — Genio (11) — Statue (12–17) — Cogi (18–19) — Trion de Bacho (20–21) — Galiarde (22–23) — Architeto (24) — Fabri (25) — Boteri (26) — Salorini (27–28) — Bergamasco (29–30) — Rigadon (31) — Gelosia rosa (32) — Copenhager (33–34) - Salt in Muro (35–36) — Zurlo bacho (37) — Animarca (38) — Turco con Tampurino (39–40) — Desegnie Euria (41) — Scotin (42–48) — Cicona (49) — Micarma (50). BNE copy seems to be incomplete and bound in completely wrong order (probably during some restauration process). It contains the following dances (page numbers are given in parenthesis, pages 2–4, 7, 45–48 of the first part, and 4–28, 45–47 are missing in BNE copy). First part: Vidali (1) — Polesana (5) — Schiauona (6) — Pastor Francese (8) — Gartiniera (9) — Genio (10) — Genio (11) — Statue (12–17) — Cogi (18–19) — Trion de Bacho (20–21) — Galiarde (22–23) — Architeto (24) — Gran Alesandro (25) — Scharamuza (26) — Scharamuze e donna (27–28) — Chicona (29) — Chicona (30) — Chicona (31) — Rigaudon (32) — Riguadon (33) — Scapin (34) — Scapin (35) — Mezetin (36) — Mezetin (37) — El Mado (38) — Mato (39) — Gobba e Stropio (40) — Desegnie Euria (41) — Scotin (42–44) — Riguadon (49) — Galiarda (50). Second part: Adolzor (2) — Dime desü (3) — Bergamasco (29–30) — Rigadon (31) — Gelosia rosa (32) — Copenhager (33–34) - Salt in Muro (35–36) — Zurlo bacho (37) — Animarca (38) — Turco con Tampurino (39–40) — Puricinella e Simona (41) — Meo di Barba Nicolo (42) — Bolongnesa (43) — Bolognesa (44) — Cicona (49) — Micarma (50) — Menuet (51). British Library copy (Facsimile available in paper copy) contains the same order of plates, as ÖNB copy does, but Menuet (51) is bound to the second volume, not to the first
